And in the town-mind, of course, hope springs eternal. They don’t like calamity talk. Some genuinely think we can go on indefinitely on the old lines, and get more and more prosperous into the bargain. Personally, I don’t. It’s possible that much of what old Foggart advocates may be adopted bit by bit, even child emigration, from sheer practical necessity; but it won’t be called Foggartism. Inventor’s luck! HE’LL get no credit for being the first to see it. And,” added the Minister, gloomily, “by the time it’s adopted, it’ll probably be too late.”
Receiving the same day a request for an interview from a Press Syndicate whose representative would come down to suit his convenience, Michael made the appointment, and prepared an elaborate exposition of his faith. The representative, however, turned out to be a camera, and a photograph entitled: ‘The Member for Mid–Bucks expounding Foggartism to our Representative,’ became the only record of it. The camera was active. It took a family group in front of the porch: ‘Right to Left, Mr. Michael Mont, M. P., Lady Mont, Mrs. Michael Mont, Sir Lawrence Mont, Bt.’ It took Fleur: ‘Mrs. Michael Mont, with Kit and Dandie.’ It took the Jacobean wing. It took the Minister, with his pipe, ‘enjoying a Christmas rest.’ It took a corner of the walled garden: ‘In the grounds.’ It then had lunch. After lunch it took the whole house-party: ‘At Sir Lawrence Mont’s, Lippinghall Manor, Bucks’; with the Minister on Lady Mont’s right and the Minister’s wife on Sir Lawrence’s left. This photograph would have turned out better, if the Dandie, inadvertently left out, had not made a sudden onslaught on the camera’s legs. It took a photograph of Fleur alone: ‘Mrs. Michael Mont–a charming young Society hostess.’ It understood that Michael was making an interesting practical experiment–could it take Foggartism in action? Michael grinned and said: Yes, if it would take a walk, too.
They departed for the coppice. The colony was in its normal state–Boddick, with two of the contractor’s men cheering him on, was working at the construction of the incubator-house; Swain, smoking a cigarette, was reading The Daily Mall; Bergfeld was sitting with his head in his hands, and Mrs. Bergfeld was washing up.
The camera took three photographs. Michael, who had noted that Bergfeld had begun shaking, suggested to the camera that it would miss its train. It at once took a final photograph of Michael in front of the hut, two cups of tea at the Manor, and its departure.
As Michael was going up-stairs that night, the butler came to him.
“The man Boddick’s in the pantry, Mr. Michael; I’m afraid something’s happened, sir.”
“Oh!” said Michael, blankly.
Where Michael had spent many happy hours, when he was young, was Boddick, his pale face running with sweat, and his dark eyes very alive.
“The German’s gone, sir.”
“Gone?”
“Hanged hisself. The woman’s in an awful state. I cut him down, and sent Swain to the village.”
“Good God! Hanged! But why?”
“He’s been very funny these last three days; and that camera upset him properly. Will you come, sir?”
They set out with a lantern, Boddick telling his tale.
“As soon as ever you was gone this afternoon he started to shake and carry on about having been made game of. I told ’im not to be a fool, and went out to get on with it. But when I came in to tea, he was still shakin’, and talkin’ about his honour and his savin’s; Swain had got fed-up and was jeerin’ at him, and Mrs. Bergfeld was as white as a ghost in the corner. I told Swain to shut his head; and Fritz simmered down after a bit, and sat humped up as he does for hours together. Mrs. Bergfeld got our tea. I had some chores to finish, so I went out after. When I come in at seven, they was at it again hammer and tongs, and Mrs. Bergfeld cryin’ fit to bust her heart. ‘Can’t you see,’ I said, ‘how you’re upsettin’ your wife?’ ‘Henry Boddick,’ he said, ‘I’ve nothing against YOU, you’ve always been decent to me. But this Swain,’ he said, ‘‘is name is Swine!’ and he took up the bread-knife. I got it away from him, and spoke him calm. ‘Ah!’ he said, ‘but YOU’VE no pride.’ Swain was lookin’ at him with that sort o’ droop in his mouth he’s got. ‘Pride,’ he says, ‘you silly blighter, what call ‘ave YOU to ‘ave any pride?’ Well, I see that while we was there he wasn’t goin’ to get any better, so I took Swain off for a glass at the pub. When we came back at ten o’clock, Swain went straight to bed, and I went into the mess-room, where I found his wife alone. ‘Has he gone to bed?’ I said. ‘No,’ she said, ‘he’s gone out to cool his head. Oh! Henry Boddick,’ she said, ‘I don’t know what to do with him!’ We sat there a bit, she tellin’ me about ’im brooding, and all that–nice woman she is, too; till suddenly she said: ‘Henry Boddick,’ she said, ‘I’m frightened. Why don’t he come?’ We went out to look for him, and where d’you think he was, sir? You know that big tree we’re just goin’ to have down? There’s a ladder against it, and the guidin’ rope all fixed. He’d climbed up that ladder in the moonlight, put the rope round his neck, and jumped off; and there he was, six feet from the ground, dead as a duck. I roused up Swain, and we got him in, and–Well, we ‘ad a proper time! Poor woman, I’m sorry for her, sir–though really I think it’s just as well he’s gone–he couldn’t get upsides with it anyhow. That camera chap would have given something for a shot at what we saw there in the moonlight.”
‘Foggartism in action!’ thought Michael, bitterly. ‘So endeth the First Lesson!’
The hut looked lonely in the threading moonlight and the bitter wind. Inside, Mrs. Bergfeld was kneeling beside the body placed on the deal table, with a handkerchief over its face. Michael put a hand on her shoulder. She gave him a wild look, bowed her head again, and her lips began moving. ‘Prayer!’ thought Michael. ‘Catholic–of course!’ He took Boddick aside. “Don’t let her see Swain. I’ll talk to him.”
When the police and the doctor came in, he buttonholed the hair-dresser, whose shadowy face looked ghastly in the moonlight. He seemed much upset.
“You’d better come down to the house for the night, Swain.”
“All right, sir. I never meant to hurt the poor beggar. But he did carry on so, and I’ve got my own trouble. I couldn’t stand ’im monopolisin’ misfortune the way he does. When the inquest’s over, I’m off. If I can’t get some sun soon, I’ll be as dead as ’im.”
Michael was relieved. Boddick would be left alone.
When at last he got back to the house with Swain, Fleur was asleep. He did not wake her to tell her the news, but lay a long time trying to get warm, and thinking of that great obstacle to all salvation–the human element. And, mingled with his visions of the woman beside that still, cold body were longings for the warmth of the young body close to him.
The photographs were providential. For three days no paper could be taken up which did not contain some allusion, illustrated, to “The Tragedy on a Buckinghamshire Estate”; “German actor hangs himself”; “The drama at Lippinghall”; “Tragic end of an experiment”; “Right to Left: Mr. Michael Mont, Member for Mid–Bucks; Bergfeld, the German actor who hanged himself; Mrs. Bergfeld.”
The Evening Sun wrote more in sorrow than in anger:
“The suicide of a German actor on Sir Lawrence Mont’s estate at Lippinghall has in it a touch of the grotesquely moral. The unfortunate man seems to have been one of three ‘out-of-works’ selected by the young Member for Mid–Bucks, recently conspicuous for his speech on ‘Foggartism,’ for a practical experiment in that peculiar movement. Why he should have chosen a German to assist the English people to return to the Land is not perhaps very clear; but, largely speaking, the incident illustrates the utter unsuitability of all amateur attempts to solve this problem, and the futility of pretending to deal with the unemployment crisis while we still tolerate among us numbers of aliens who take the bread out of the mouths of our own people.” The same issue contained a short leader entitled: “The Alien in our Midst.” The inquest was well attended. It was common knowledge that three men and one woman lived in the hut, and sensational developments were expected. A good deal of disappointment was felt that the evidence disclosed nothing at all of a sexual character.
Fleur, with the eleventh baronet, returned to town after it was over. Michael remained for the funeral–in a Catholic cemetery some miles away. He walked with Henry Boddick behind Mrs. Bergfeld. A little sleet was drifting out of a sky the colour of the gravestones, and against that whitish sky the yew-trees looked very stark. He had ordered a big wreath laid on the grave, and when he saw it thus offered up, he thought: ‘First human beings, then rams, now flowers! Progress! I wonder!’
Having arranged that Norah Curfew should take Mrs. Bergfeld as cook in Bethnal Green, he drove her up to London in the Manor car. During that long drive he experienced again feelings that he had not had since the war. Human hearts, dressed-up to the nines in circumstance, interests, manners, accents, race, and class, when stripped by grief, by love, by hate, by laughter were one and the same heart. But how seldom were they stripped! Life was a clothed affair! A good thing too, perhaps–the strain of nakedness was too considerable! He was, in fact, infinitely relieved to see the face of Norah Curfew, and hear her cheerful words to Mrs. Bergfeld:
“Come in, my dear, and have some tea!” She was the sort who stripped to the heart without strain or shame.
Fleur was in the drawing-room when he got home, furred up to her cheeks, which were bright as if she had just come in from the cold.
“Been out, my child?”
“Yes. I–” She stopped, looked at him rather queerly, and said: “Well, have you finished with that business?”
“Yes; thank God. I’ve dropped the poor creature on Norah Curfew.”
Fleur smiled. “Ah! Yes, Norah Curfew! SHE lives for everybody but herself, doesn’t she?”
“She does,” said Michael, rather sharply.
“The new woman. One’s getting clean out of fashion.”
Michael took her cheeks between his hands.
“What’s the matter, Fleur?”
“Nothing.”
“There is.”
“Well, one gets a bit fed up with being left out, as if one were fit for nothing but Kit, and looking appetising.”
Michael dropped his hands, hurt and puzzled. Certainly he had not consulted her about his ‘down and outs’; had felt sure it would only bore or make her laugh–No future in it! And had there been?
“Any time you like to go shares in any mortal thing, Fleur, you’ve only to say so.”
“Oh! I don’t want to poke into your affairs. I’ve got my own. Have you had tea?”
“Do tell me what’s the matter?”
“My dear boy, you’ve already asked me that, and I’ve already told you–nothing.”
“Won’t you kiss me?”
“Of course. And there’s Kit’s bath–would you like to go up?”
Each short stab went in a little farther. This was a spiritual crisis, and he did not know in the least how to handle it. Didn’t she want him to admire her, to desire her? What did she want? Recognition that she was as interested as he in-in the state of the Country? Of course! Only–was she?
“Well,” she said, “I want tea, anyway. Is the new woman dramatic?”
Jealousy? The notion was absurd. He said quietly:
“I don’t quite follow you.”
Fleur looked up at him with very clear eyes.
“Good God!” said Michael, and left the room.
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Receiving the same day a request for an interview from a Press Syndicate whose representative would come down to suit his convenience, Michael made the appointment, and prepared an elaborate exposition of his faith. The representative, however, turned out to be a camera, and a photograph entitled: ‘The Member for Mid–Bucks expounding Foggartism to our Representative,’ became the only record of it. The camera was active. It took a family group in front of the porch: ‘Right to Left, Mr. Michael Mont, M. P., Lady Mont, Mrs. Michael Mont, Sir Lawrence Mont, Bt.’ It took Fleur: ‘Mrs. Michael Mont, with Kit and Dandie.’ It took the Jacobean wing. It took the Minister, with his pipe, ‘enjoying a Christmas rest.’ It took a corner of the walled garden: ‘In the grounds.’ It then had lunch. After lunch it took the whole house-party: ‘At Sir Lawrence Mont’s, Lippinghall Manor, Bucks’; with the Minister on Lady Mont’s right and the Minister’s wife on Sir Lawrence’s left. This photograph would have turned out better, if the Dandie, inadvertently left out, had not made a sudden onslaught on the camera’s legs. It took a photograph of Fleur alone: ‘Mrs. Michael Mont–a charming young Society hostess.’ It understood that Michael was making an interesting practical experiment–could it take Foggartism in action? Michael grinned and said: Yes, if it would take a walk, too.
They departed for the coppice. The colony was in its normal state–Boddick, with two of the contractor’s men cheering him on, was working at the construction of the incubator-house; Swain, smoking a cigarette, was reading The Daily Mall; Bergfeld was sitting with his head in his hands, and Mrs. Bergfeld was washing up.
The camera took three photographs. Michael, who had noted that Bergfeld had begun shaking, suggested to the camera that it would miss its train. It at once took a final photograph of Michael in front of the hut, two cups of tea at the Manor, and its departure.
As Michael was going up-stairs that night, the butler came to him.
“The man Boddick’s in the pantry, Mr. Michael; I’m afraid something’s happened, sir.”
“Oh!” said Michael, blankly.
Where Michael had spent many happy hours, when he was young, was Boddick, his pale face running with sweat, and his dark eyes very alive.
“The German’s gone, sir.”
“Gone?”
“Hanged hisself. The woman’s in an awful state. I cut him down, and sent Swain to the village.”
“Good God! Hanged! But why?”
“He’s been very funny these last three days; and that camera upset him properly. Will you come, sir?”
They set out with a lantern, Boddick telling his tale.
“As soon as ever you was gone this afternoon he started to shake and carry on about having been made game of. I told ’im not to be a fool, and went out to get on with it. But when I came in to tea, he was still shakin’, and talkin’ about his honour and his savin’s; Swain had got fed-up and was jeerin’ at him, and Mrs. Bergfeld was as white as a ghost in the corner. I told Swain to shut his head; and Fritz simmered down after a bit, and sat humped up as he does for hours together. Mrs. Bergfeld got our tea. I had some chores to finish, so I went out after. When I come in at seven, they was at it again hammer and tongs, and Mrs. Bergfeld cryin’ fit to bust her heart. ‘Can’t you see,’ I said, ‘how you’re upsettin’ your wife?’ ‘Henry Boddick,’ he said, ‘I’ve nothing against YOU, you’ve always been decent to me. But this Swain,’ he said, ‘‘is name is Swine!’ and he took up the bread-knife. I got it away from him, and spoke him calm. ‘Ah!’ he said, ‘but YOU’VE no pride.’ Swain was lookin’ at him with that sort o’ droop in his mouth he’s got. ‘Pride,’ he says, ‘you silly blighter, what call ‘ave YOU to ‘ave any pride?’ Well, I see that while we was there he wasn’t goin’ to get any better, so I took Swain off for a glass at the pub. When we came back at ten o’clock, Swain went straight to bed, and I went into the mess-room, where I found his wife alone. ‘Has he gone to bed?’ I said. ‘No,’ she said, ‘he’s gone out to cool his head. Oh! Henry Boddick,’ she said, ‘I don’t know what to do with him!’ We sat there a bit, she tellin’ me about ’im brooding, and all that–nice woman she is, too; till suddenly she said: ‘Henry Boddick,’ she said, ‘I’m frightened. Why don’t he come?’ We went out to look for him, and where d’you think he was, sir? You know that big tree we’re just goin’ to have down? There’s a ladder against it, and the guidin’ rope all fixed. He’d climbed up that ladder in the moonlight, put the rope round his neck, and jumped off; and there he was, six feet from the ground, dead as a duck. I roused up Swain, and we got him in, and–Well, we ‘ad a proper time! Poor woman, I’m sorry for her, sir–though really I think it’s just as well he’s gone–he couldn’t get upsides with it anyhow. That camera chap would have given something for a shot at what we saw there in the moonlight.”
‘Foggartism in action!’ thought Michael, bitterly. ‘So endeth the First Lesson!’
The hut looked lonely in the threading moonlight and the bitter wind. Inside, Mrs. Bergfeld was kneeling beside the body placed on the deal table, with a handkerchief over its face. Michael put a hand on her shoulder. She gave him a wild look, bowed her head again, and her lips began moving. ‘Prayer!’ thought Michael. ‘Catholic–of course!’ He took Boddick aside. “Don’t let her see Swain. I’ll talk to him.”
When the police and the doctor came in, he buttonholed the hair-dresser, whose shadowy face looked ghastly in the moonlight. He seemed much upset.
“You’d better come down to the house for the night, Swain.”
“All right, sir. I never meant to hurt the poor beggar. But he did carry on so, and I’ve got my own trouble. I couldn’t stand ’im monopolisin’ misfortune the way he does. When the inquest’s over, I’m off. If I can’t get some sun soon, I’ll be as dead as ’im.”
Michael was relieved. Boddick would be left alone.
When at last he got back to the house with Swain, Fleur was asleep. He did not wake her to tell her the news, but lay a long time trying to get warm, and thinking of that great obstacle to all salvation–the human element. And, mingled with his visions of the woman beside that still, cold body were longings for the warmth of the young body close to him.
The photographs were providential. For three days no paper could be taken up which did not contain some allusion, illustrated, to “The Tragedy on a Buckinghamshire Estate”; “German actor hangs himself”; “The drama at Lippinghall”; “Tragic end of an experiment”; “Right to Left: Mr. Michael Mont, Member for Mid–Bucks; Bergfeld, the German actor who hanged himself; Mrs. Bergfeld.”
The Evening Sun wrote more in sorrow than in anger:
“The suicide of a German actor on Sir Lawrence Mont’s estate at Lippinghall has in it a touch of the grotesquely moral. The unfortunate man seems to have been one of three ‘out-of-works’ selected by the young Member for Mid–Bucks, recently conspicuous for his speech on ‘Foggartism,’ for a practical experiment in that peculiar movement. Why he should have chosen a German to assist the English people to return to the Land is not perhaps very clear; but, largely speaking, the incident illustrates the utter unsuitability of all amateur attempts to solve this problem, and the futility of pretending to deal with the unemployment crisis while we still tolerate among us numbers of aliens who take the bread out of the mouths of our own people.” The same issue contained a short leader entitled: “The Alien in our Midst.” The inquest was well attended. It was common knowledge that three men and one woman lived in the hut, and sensational developments were expected. A good deal of disappointment was felt that the evidence disclosed nothing at all of a sexual character.
Fleur, with the eleventh baronet, returned to town after it was over. Michael remained for the funeral–in a Catholic cemetery some miles away. He walked with Henry Boddick behind Mrs. Bergfeld. A little sleet was drifting out of a sky the colour of the gravestones, and against that whitish sky the yew-trees looked very stark. He had ordered a big wreath laid on the grave, and when he saw it thus offered up, he thought: ‘First human beings, then rams, now flowers! Progress! I wonder!’
Having arranged that Norah Curfew should take Mrs. Bergfeld as cook in Bethnal Green, he drove her up to London in the Manor car. During that long drive he experienced again feelings that he had not had since the war. Human hearts, dressed-up to the nines in circumstance, interests, manners, accents, race, and class, when stripped by grief, by love, by hate, by laughter were one and the same heart. But how seldom were they stripped! Life was a clothed affair! A good thing too, perhaps–the strain of nakedness was too considerable! He was, in fact, infinitely relieved to see the face of Norah Curfew, and hear her cheerful words to Mrs. Bergfeld:
“Come in, my dear, and have some tea!” She was the sort who stripped to the heart without strain or shame.
Fleur was in the drawing-room when he got home, furred up to her cheeks, which were bright as if she had just come in from the cold.
“Been out, my child?”
“Yes. I–” She stopped, looked at him rather queerly, and said: “Well, have you finished with that business?”
“Yes; thank God. I’ve dropped the poor creature on Norah Curfew.”
Fleur smiled. “Ah! Yes, Norah Curfew! SHE lives for everybody but herself, doesn’t she?”
“She does,” said Michael, rather sharply.
“The new woman. One’s getting clean out of fashion.”
Michael took her cheeks between his hands.
“What’s the matter, Fleur?”
“Nothing.”
“There is.”
“Well, one gets a bit fed up with being left out, as if one were fit for nothing but Kit, and looking appetising.”
Michael dropped his hands, hurt and puzzled. Certainly he had not consulted her about his ‘down and outs’; had felt sure it would only bore or make her laugh–No future in it! And had there been?
“Any time you like to go shares in any mortal thing, Fleur, you’ve only to say so.”
“Oh! I don’t want to poke into your affairs. I’ve got my own. Have you had tea?”
“Do tell me what’s the matter?”
“My dear boy, you’ve already asked me that, and I’ve already told you–nothing.”
“Won’t you kiss me?”
“Of course. And there’s Kit’s bath–would you like to go up?”
Each short stab went in a little farther. This was a spiritual crisis, and he did not know in the least how to handle it. Didn’t she want him to admire her, to desire her? What did she want? Recognition that she was as interested as he in-in the state of the Country? Of course! Only–was she?
“Well,” she said, “I want tea, anyway. Is the new woman dramatic?”
Jealousy? The notion was absurd. He said quietly:
“I don’t quite follow you.”
Fleur looked up at him with very clear eyes.
“Good God!” said Michael, and left the room.
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